The meanest white man in rock and roll, ca. 1957:
Displaying what one critic has called the entrail-gripping Pentecostal origins of rock and roll. The one, the only, Jerry Lee Lewis.
His one-millionth rendition of his first record, still fresh:
His stone face and his suit and his never giving the piano up just kill me.
Displaying what one critic has called the entrail-gripping Pentecostal origins of rock and roll. The one, the only, Jerry Lee Lewis.
His one-millionth rendition of his first record, still fresh:
His stone face and his suit and his never giving the piano up just kill me.